Written by Mike Carey
Art by Marc Hempel, Peter Gross, Ryan Kelly, and Ronald Wimberly
I started reading this book feeling a little bored with Lucifer in general. I didn't enjoy volume 8 with the same degree that I did the earlier books, and didn't really feel like reading this. I'm glad I stuck with it though, because this volume returns the book to the high quality of the beginning of the series.
This volume jumps around a fair deal. The first story (with art by Marc Hempel, an artist we don't see enough of these days) is set in Hell, and has Christopher Rudd serving in a messianic role. In fact, the story ends with him in a new, elevated station in Hell.
From there, we get to the main storyline of the book - the return of Lilith, as seen at the end of Volume 7. We learn where she's been for the last few millennia, as she starts to plot against Heaven. She's not happy with Mazikeen, for whom things go bad quickly. Between these chapters is a story where Elaine Belloc, absorbing Michael's abilities, creates her own universe, and then tries to watch over it. As well, we see more of Jill Presto, who is again pregnant from the Basanos.
There is definitely a feeling throughout this book that the story is coming to its close (two more volumes remain), and Carey is slowly ratcheting up the level of suspense and weight of events. The strength of this book lies in its supporting characters - Elaine, Jill, and of course Mazikeen, and so the fact that Lucifer barely appears in this book is not a problem.
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