Showing posts with label Jason Gilmore. Show all posts
Showing posts with label Jason Gilmore. Show all posts

Friday, May 20, 2011

The Next Day

Written by Paul Peterson and Jason Gilmore
Art by John Porcellino

I found this short graphic novel project to be much more interesting than I originally anticipated.  The Next Day has its text taken from interviews with four people who have attempted suicide.  Each person, three women and one man, tell their stories in one-page increments, and as the book jumps from one person to the other, many parallels between their stories are observed.

The book has incredibly simple drawings.  They almost look like they could have been done by children, and where usually this type of minimalist art is a negative for me, I found that it helped focus on the tension in each person's story.

In each case, the person is thankful that their suicide attempts failed, and we see a little of how they are currently living their lives.  This is an important work in that it helps shed some light on depression and mental illness, and can be used to create more understanding of these problems.  Apparently there is more to this project than just this book - there is also an interactive website being run by the National Film Board of Canada.

I'm not sure if this is something I would give to a person suffering depression to help them understand their condition, but I think it may help families and friends come to grips with what a loved one is going through.

Wednesday, May 12, 2010

Kenk

Produced and conceived by Alex Jansen
Written by Richard Poplak
Filmed and designed by Jason Gilmore
Illustrated by Nick Marinkovich

This graphic novel is such an interesting project.  Igor Kenk is a notorious Toronto figure; a known bicycle thief and walking urban legend.  The creators of this unique book filmed Kenk for more than 30 hours, and then, instead of making a film about him, made this book instead.  The dialogue (okay, with Kenk it's mostly monologue) is taken from the film, with journalistic details provided by Richard Poplak.  His writes with a very light hand - there is no real analysis or interpretation here, as he prefers to let the man speak for himself.

Artistically, the book is made up of stills from the filming, which have been manipulated, enhanced, or just straight photocopied, in a style intended to evoke the 80s Yugoslavian punk FV style.  It makes some of the more cluttered scenes - and when Kenk is involved, there is a lot of clutter - a little muddy and evocative of a cartoon trash heap, where identifying any one thing becomes impossible.  What it also offers though is plenty of photographic images of the man himself, allowing the reader the opportunity to really study his face; something usually lacking in other journalistic graphic novels.

The book is quite fascinating.  Kenk, an immigrant obsessive compulsive holds court on many topics, but his strident environmentalism and rabid self-sufficiency are his favorite topics, with Western excess, police harassment, and 'monkey factor' (his homegrown understanding of Social Darwinism) being close runners up.

Kenk berates customers (not as much as I would like), attends garage sales, drives around the city, and eats with the filmmakers, and much of what he says makes sense.  I began to see him as a bit of a sympathetic figure, although the information that came to light about him following his 2008 arrest does make it difficult to maintain that sympathy.  Basically, for people who don't know, when Kenk was arrested, the police discovered almost 3000 bicycles in his possession, most stolen, as well as some smallish weight of drugs.  Kenk has been driving the bicycle theft mania in Toronto for decades.

Kenk the man is irascible, thorny, intelligent, and mesmerizing.  The book is much the same.  'Kenk' reminds of some of the more off-the-wall New Yorker profiles I've read over the years, as the writer and producer really get a sense of who this guy is, and work hard to situate him in his environment.  This is a very 'Toronto' book, and helps capture the spirit of Queen St. West that has been lost as the neighbourhood has become increasingly commercial.

This is a rare piece of work, that deserves a lot of attention.