Dark Horse Presents #22

Written by Howard Chaykin, Caitlin R. Kiernan, Michael Avon Oeming, Geoffrey Thorne, Denis Medri, Mike Richardson, Patrick Alexander, Simon Roy, Jason Wordie, Kel McDonald, Shannon Wheeler, and Steve Moncuse
Art by Howard Chaykin, Steve Lieber, Michael Avon Oeming, Todd Harris, Denis Medri, Geof Darrow, Patrick Alexander, Simon Roy, Kel McDonald, Shannon Wheeler, and Steve Moncuse

It's not easy to give up on an anthology title, especially one that serializes stories over many months, but I think I just might be done with Dark Horse Presents.  Increasingly, I haven't found the stories on offer as interesting as they were when this series was relaunched about two years ago, and Dark Horse has made it pretty clear that most of these stories are going to be reprinted in 'zero' issues or as one-shots, which makes me wonder why I'm paying $8 a month for a fair amount of content that I'm not all that interested in reading.  Were Carla Speed McNeil's Finder series still running, I wouldn't even be thinking about jumping ship, as I consider paying $8 for 8 pages of her work completely reasonable, on the off chance that something else in the package would strike my fancy.

This issue, the story I enjoyed the most was the continuation of Simon Roy's Tiger Lung, which is an indigenous spiritual adventure.  I have been a fan of Roy's since buying his Jan's Atomic Heart from him at TCAF a few years ago, and I'm always happy to find more of his work.

Howard Chaykin, who is not a creator I'm overly fond of, did entertain me with his alternate history about George Custer (he becomes President and declares war on Canada!), although I can't tell if this was a one-off or if there will be more to come.

Journeymen, by Geoffrey Thorne and Todd Harris, is interesting, with its pirates, monsters, and teleportation, but I'm not sure I'm following the whole thing properly.  Arcade Boy, by Denis Medri, is kind of cute.

The interview between Mike Richardson and Geof Darrow was interesting enough, as they share their remembrances of terrible jobs for ad companies in the 70s, and talk about meeting Moebius, but it was the kind of self-serving stuff that tanked Creator-Owned Heroes.  I'd rather have just seen more Darrow art.

Beyond that, I found this issue pretty lacklustre, and not really worth talking about.

Dark Horse Presents #11

Written by Francesco Francavilla, Steve Horton, Carla Speed McNeil, Steve Niles, Evan Dorkin, Tim Seeley, John Arcudi, Andrew Vachss, Neal Adams, and Frank J. Barbiere
Art by Francesco Francavilla, Michael Dialynas, Carla Speed McNeil, Christopher Mitten, Evan Dorkin, Victor Drujiniu, Jonathan Case, Geof Darrow, Neal Adams, and Luke Radl

Once again, Dark Horse Presents delivers a variety of comics for your reading pleasure.  As always, it's a pretty mixed bag, with the good being discussed first:

• Francesco Francavilla is an artist I've enjoyed for quite some time, and it's nice to see him finally doing some creator-owned work.  The Black Beetle is a pretty standard pulp hero, with a Spirit/Shadow/Lobster Johnson type character trying to protect a beautiful archeologist (or curator, or something like that) from a group of personal helicopter-wearing Nazis who want to steal a priceless artifact.  It's predictable, but pretty.
• I'm always happy to get a new chapter of Finder, Carla Speed McNeil's long-running series.  She's making good use of the colour possibilities of this anthology, as she has Jaegar walk through a number of strange environments.  It's a short piece, but it's very nice.
• I don't remember John Arcudi's old series The Creep, but this reintroduction to the character works quite well, as the title character receives a letter from an old girlfriend telling him that her son committed suicide, and that she thinks there's something more to it.  This is how you begin a new story told in short chapters; I'm looking forward to reading more.  I like Jonathan Case's art here.
• Andrew Vachss's prose piece 'Pig' goes down quite easily, if it feels like it's from another era.  It's a story about a young gang-banger and the friendship he develops with an overweight kid who is not part of his clique.  Geof Darrows's illustrations are less Darrow-ish than anything I've ever seen him do, but they work with this story.
• I don't know what the deal is with 'The Way Out', a story 'From the Pages of the White Suits', which is set in Moscow in the late 80s.  It's about a young female courier who gets caught up in some madness involving gangsters and soldiers.  I don't know if this is the beginning of a new series, or is a stand-alone story, but it has my interest.  Luke Radl's art is very nice in Frank J. Barbiere's story.

Beyond that, I found I didn't have much use for the rest of the book.  Steve Niles and Christopher Mittens's Cal MacDonald story still hasn't caught my eye, and I am still having trouble getting into the Steve Horton and Michael Dialynas 'Amala's Blade' series.  Tim Seeley's new series The Occultist was too like the Cal MacDonald and a hundred other comics to impress me.

I hate Neal Adams's Blood comic, and feel much the same about anything Evan Dorkin does that doesn't involve Jill Thompson and the Beasts of Burden.  Next month:  Aliens!

Dark Horse Presents #10

Written by Brian Wood, Colin Lorimer, Carla Speed McNeil, Steve Niles, Evan Dorkin, Alan Gordon, Steve Horton, Andrew Vachss, MJ Butler, and Rich Johnston
Art by Kristian Donaldson, Colin Lorimer, Carla Speed McNeil, Christopher Mitten, Evan Dorkin, Thomas Yeates, Michael Dialynas, Geof Darrow, Mark Wheatley, and Simon Rohrmüller

Anthologies can be hit or miss, and where the last few issues of Dark Horse Presents have been terrific, this one came off feeling rather lacking.

As always, to begin with the positive:

Brian Wood and Kristian Donaldson's The Massive has definitely caught my attention.  So far, each chapter has been used to introduce a new character, and to establish that all of them have almost died at sea, only to be saved, or brought back by it.  I really have no idea where this comic is headed, but the three-page overview of various key moments in the history of oceanic environmental degradation is enough to get me to add the upcoming series to my pull-file.  I trust Wood to impress me.

There is a new series debuting in this issue called UXB, by Colin Lorimer, an artist I'm unfamiliar with.  It's yet another post-apocalyptic story, where people roam the ruins of our civilization wearing environmental protective apparati that look a little like high-tech codpieces.  Again, not much is revealed here, except that our trio of heroes are on the search for old DVDs, and the consequences of giving them nothing but Pretty Woman and the Backstreet Boys aren't pretty.  I really don't know where this is going either, but Lorimer has my attention.

Carla Speed McNeil's Finder returns after a pause of a few months.  Now, Finder was my great discovery of 2011, and I can't praise it enough (you really should click on the link and give yourself a treat), so I'm always excited to dive into a new story.  This one could probably have used McNeil's usual annotations though, as I'm more than a little lost.  Jaeger finds himself well and truly lost after the events of the last chapter (whenever that was), but, because he is a Finder, and kind of lucky, he quickly runs in to an old acquaintance.  I just wish that a little more happened in this story, and that I knew what the deal is with the flying Chinese dragon-train thing at the end.  Still, I love McNeil's work.

Rich Johnston's 'The Many Murders of Miss Cranbourne' finishes up this issue, and continues to be quite decent.

From here, we move into stories that I didn't necessarily dislike, but that I wouldn't pursue were they to get their own title:

The Tarzan story by Alan Gordon and Thomas Yeates is an odd throwback, and I found my attention wavering while reading this chapter.  I don't know that I can handle a post-Apocalyptic immortal Tarzan, especially just after reading another post-Apocalyptic strip a few pages previous.

The 'Amala's Blade' and 'Skultar' stories are fine.  They just aren't my thing.  I feel the same way about the Cal MacDonald story by Niles and Mitten.  I've just never warmed to Niles's writing, no matter what he does. 

There's a prose story by Andrew Vachss in this issue, which has lovely illustrations from the ever-talented Geof Darrow.  Now, I always associate Vachss's name with brutal stories about children being murdered or abused, because I read some pretty dark stuff from him years ago, and basically avoided his work forever after.  This story is dark, but not as brutal, as it is concerned with an aging man who is not able to accept his growing diminishment. It's rough, but there it is.

Finally, this issue features two stories by Evan Dorkin.  One is a short Milk and Cheese piece, while the other features a Munsters/Addams Family parody called The Murder Family.  I didn't finish either story.  I don't see how Dorkin, who has written such haunting and nuanced work in Beasts of Burden, also churns out such predictable, juvenile, and un-funny junk.  I know that Milk and Cheese have their fans, I just don't understand why.