Written by Robert Kirkman and James Asmus
Art by Shawn Martinbrough
How much literature is built around the theme of sons trying to claw their way out of the shadow of their fathers? It's not hard to think of many examples, but I am having a harder time thinking about stories about fathers being disappointed by their children. We tend to root for the underdogs, so therefore it is the children of the powerful, domineering, or wildly successful that we have more sympathy for, than for the men who have perfected their craft, and have to deal with the awkwardness of having their offspring attempt to follow, and fail utterly.
This, however, is what the second arc of Thief of Thieves is most focused on. Conrad has gone to great lengths to get his son Augustus out of jail, and make it so that the FBI had to drop their charges against him. Now though, Augustus is owing money to some very dangerous people, and is just not smart or skilled enough to keep himself out of trouble. He's spent too many years trading on his father's reputation, and is now expected to produce the master thief, if he wants to protect his girlfriend.
Meanwhile, Conrad has discovered, through his own sense of hubris, that the FBI agent that has pursued him so vigorously over the years, has decided instead to target Augustus, since he's easily the weakest link.
This arc is very well plotted, and nicely scripted by James Asmus, who is a positive addition to the team. Shawn Martinbrough is always brilliant. I can't think of many other noir family dramas - this is an original and very cool book.
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