Written by Viktor Kalvachev, Kosta Yanev, and Andrew Osborne
Art by Viktor Kalvachev, Nathan Fox, Toby Cypress, Andrew Robinson, and Peter Nguyen
The longer the series runs, the more I find myself getting caught up in the twist and turns of Kalvachev and company's story. Last month, most of the issue focused on Bruce Maddox, his trainer and lover Marcellus, and Clarence, the man that killed them both in a hit that he thought had been ordered by mob boss Don Luciano but had really been requested by the Don's stupid son Tony, although it also suited Clarences own plans, and those of his new friend Rachel, Bruce's wife. Got all that? I hope so, because I haven't mentioned the Russian mobster whose money got taken during this hit, or the involvement of the Roy Devines, one a top cop, and the other a loser private eye.
Needless to say, the story is intricate and complicated, but it also works surprisingly well. This issue explores the fall-out of the hit, as the Russians lean on the Italians to get their money back, and Roy Jr. tries to make a name for himself out of the whole mess. For such a complex book, and with such violent subject matter, it is surprisingly funny, as Kalvachev and his other writers whip up new characters like Lupe, Roy Sr.'s assistant, who has the hots for him.
Originally, I started buying this book for the roster of artists Kalvachev is using, but now I'm reading it as much for the story. This issue brings Peter Nguyen and Andrew Robinson to the fold. I am happy to see them working with such greats as Nathan Fox and Toby Cypress.
This is one comic that doesn't seem to be slowing down, and is definitely not finding itself constrained by such modern comics plagues as writing for the trade or padding arcs to make them longer.
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