Written by Neil Gaiman
Adapted by Fábio Moon and Gabriel Bá
How to Talk to Girls at Parties began its existence as a short story by Neil Gaiman, but last became a graphic novel adapted by the brilliant Brazilian twins, Bá and Moon.
The story is about Enn, a fifteen year old who finds that it's very difficult to talk to girls, a problem not shared by his best friend, Vic, who is very good at this. Vic drags Enn to a party he doesn't really want to go to, and they are both blown away by the beauty of the girls there, especially the one they think is the hostess.
As Vic spends time with her, Enn wanders the house, and has a few increasingly strange conversations with some of the girls who are not busy dancing. It doesn't take long for the reader (although it takes a lot longer for Enn) to figure out that there is something very odd about these girls, perhaps even something otherworldly.
Bá and Moon are stunning artists. I didn't really buy Enn or Vic as fifteen year olds, but aside from that, I love how they construct these scenes and build character through facial expressions and body language.
This is a good quick read, although I have to say I'm happiest when the twins are writing the stories they draw. I think it's time for them to give us a long-form story like their Daytripper, which remains one of my all-time favourite comics.
Monday, August 14, 2017
Friday, August 11, 2017
The Journal of the Main Street Secret Lodge Vol. 2
by Steven Gilbert
I read the first Journal of the Main Street Secret Lodge about three years ago, and enjoyed it, so was happy to pick up Steven Gilbert's return to this title when I saw it at TCAF this year. Like the first book, it depicts the town of Newmarket Ontario at the end of the nineteenth century, and involves a group of American robbers looking to take advantage of the small town.
They have heard that there is no real police presence in the town, and a lot of money, but they are not aware of the fact that the retired Captain Woodrow looks after things. Once they arrive, and burn down the town's main hotel, the Captain goes after them, Rambo style.
Gilbert is a gifted artist, who takes a languorous amount of time getting to his actual story. Along the way, we get a highly repetitive newspaper column on the methods employed by pickpockets, we see some kid take a voyage on a boat along the Mississippi, and learn about how the land that became Newmarket was taken by force from some Haudenosaunee. None of these things are essential to the story, but I guess they provide atmosphere, as do the pages and pages of establishing shots that show up throughout the book.
Now, I like those establishing shots a lot, as I feel that Gilbert is at his strongest when depicting such scenes.
This is a good book, but a very unfocused one. I would still return to the Main Street Secret Lodge (whatever that might actually be) for a third volume some day.
I read the first Journal of the Main Street Secret Lodge about three years ago, and enjoyed it, so was happy to pick up Steven Gilbert's return to this title when I saw it at TCAF this year. Like the first book, it depicts the town of Newmarket Ontario at the end of the nineteenth century, and involves a group of American robbers looking to take advantage of the small town.
They have heard that there is no real police presence in the town, and a lot of money, but they are not aware of the fact that the retired Captain Woodrow looks after things. Once they arrive, and burn down the town's main hotel, the Captain goes after them, Rambo style.
Gilbert is a gifted artist, who takes a languorous amount of time getting to his actual story. Along the way, we get a highly repetitive newspaper column on the methods employed by pickpockets, we see some kid take a voyage on a boat along the Mississippi, and learn about how the land that became Newmarket was taken by force from some Haudenosaunee. None of these things are essential to the story, but I guess they provide atmosphere, as do the pages and pages of establishing shots that show up throughout the book.
Now, I like those establishing shots a lot, as I feel that Gilbert is at his strongest when depicting such scenes.
This is a good book, but a very unfocused one. I would still return to the Main Street Secret Lodge (whatever that might actually be) for a third volume some day.
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