by Sam Glanzman
I know that Sam Glanzman's memoir of his wartime service, A Sailor's Story, has just been republished in a new edition, but I came across the original Marvel version not all that long ago, and decided that I wanted to read it in its original form.
Glanzman is a known writer and artist of war comics, but I'm not sure that he did more than two books about his own life. This graphic novel opens on the very young Sam, an orphan and alone at seventeen save for a beloved dog, signing up to go to war. He ends up in the Navy, and spends the entire war on boats in the Pacific.
He gives us a very day-to-day view of the drudgery and boredom of military service, as he chips and paints metal, hides from a superior to avoid work, and gets bizarre beer drinking vacations on rowboats.
While Glanzman is very open about many aspects of his service, he never really develops into a fully-realized character. We see him react to things, but only rarely get a sense of his interior life. He takes a scholarly approach to the slang and customs of the military, but none of the characters, aside from one crewman who loses his marbles, stand out on the page.
I like the draftsman's quality of Glanzman's art, which is very focused on little details. This is a valuable example of war comics, and I'm pleased to see that it's being put back out into circulation.
Saturday, April 30, 2016
Tuesday, April 26, 2016
Concrete Park Vol. 2 R-E-S-P-E-C-T
Written by Tony Puryear and Erika Alexander
Art by Tony Puryear
When Tony Puryear and Erika Alexander's Concrete Park first debuted in Dark Horse Presents, I was immediately taken with their fascinating science fiction world. On a distant planet, convicts are sent to work in subterranean mines, but a large group of freed and escaped cons have congregated in Scare City, dividing themselves into gangs that carefully protect their own borders.
We travelled into this world with Isaac, a new arrival from Earth whose transport ship crashes, with he and the man who killed his sister the only survivors. New arrivals are a big deal on the planet (especially if they might be bringing food or other supplies with them), and we were quickly introduced to some of the major players on the planet or in the story, chief among them being Luca.
This second volume opens shortly after Isaac first meets Luca and her gang, just as they are beset upon by scavengers. They make their way into the city, where the Potato King has made his move to seize territory from Luca.
There's a lot of chaos in this volume, which began life as a miniseries that was never concluded (I hate when publishers do that, and it makes me less likely to try out new minis) until the whole thing was collected in this second volume. The story sprawls all over the place, as Isaac ends up in Las Cruces, where the gang leader employs some sort of magic, before finding himself in a gladiatorial arena, having to fight his sister's killer.
Along the way, we picked up subplots involving a race of natives indigenous to the planet, and a storyline involving food that grows there (apparently food is all imported, and shipments are decreasing). Then we get into the planet's gods, and things start to get really weird (while at least explaining the series's title).
There is a lot to like about this book, but I felt that as the story expanded in this volume, it really started to lose me. I don't know if that's because Puryear and Alexander felt the need to accelerate their story due to low sales making a larger space less likely, or if this was always the plan, but it felt like a misstep to me. Scare City is a fascinating place, and more time exploring it and getting to know some of its stranger denizens could only have made it better.
I like the way Puryear transfer LA gang culture to another planet, and weaves a variety of languages into the everyday English that's spoken on the streets. It feels like a lot of thought and planning went into this series, and I would love to read a lot more of it; I just want to be able to follow the story in an organic way.
I don't know if there are further plans for more Concrete Park, but with the intensity of Puryear and Alexander's vision, and the figure-oriented beauty of Puryear's art, I'd be all over it.
Art by Tony Puryear
When Tony Puryear and Erika Alexander's Concrete Park first debuted in Dark Horse Presents, I was immediately taken with their fascinating science fiction world. On a distant planet, convicts are sent to work in subterranean mines, but a large group of freed and escaped cons have congregated in Scare City, dividing themselves into gangs that carefully protect their own borders.
We travelled into this world with Isaac, a new arrival from Earth whose transport ship crashes, with he and the man who killed his sister the only survivors. New arrivals are a big deal on the planet (especially if they might be bringing food or other supplies with them), and we were quickly introduced to some of the major players on the planet or in the story, chief among them being Luca.
This second volume opens shortly after Isaac first meets Luca and her gang, just as they are beset upon by scavengers. They make their way into the city, where the Potato King has made his move to seize territory from Luca.
There's a lot of chaos in this volume, which began life as a miniseries that was never concluded (I hate when publishers do that, and it makes me less likely to try out new minis) until the whole thing was collected in this second volume. The story sprawls all over the place, as Isaac ends up in Las Cruces, where the gang leader employs some sort of magic, before finding himself in a gladiatorial arena, having to fight his sister's killer.
Along the way, we picked up subplots involving a race of natives indigenous to the planet, and a storyline involving food that grows there (apparently food is all imported, and shipments are decreasing). Then we get into the planet's gods, and things start to get really weird (while at least explaining the series's title).
There is a lot to like about this book, but I felt that as the story expanded in this volume, it really started to lose me. I don't know if that's because Puryear and Alexander felt the need to accelerate their story due to low sales making a larger space less likely, or if this was always the plan, but it felt like a misstep to me. Scare City is a fascinating place, and more time exploring it and getting to know some of its stranger denizens could only have made it better.
I like the way Puryear transfer LA gang culture to another planet, and weaves a variety of languages into the everyday English that's spoken on the streets. It feels like a lot of thought and planning went into this series, and I would love to read a lot more of it; I just want to be able to follow the story in an organic way.
I don't know if there are further plans for more Concrete Park, but with the intensity of Puryear and Alexander's vision, and the figure-oriented beauty of Puryear's art, I'd be all over it.
Tuesday, April 12, 2016
Honour Among Punks: The Complete Baker Street
Written by Guy Davis and Gary Reed
Art by Guy Davis
Between 1989 and 1991, Caliber Press published Guy Davis's series Baker Street. At that time, I was just beginning to experiment with independent comics, and remember reading an article about this book in Comic Scene (please don't ask), but never picked up an issue or gave it a try. Later, Davis began working on Sandman Mystery Theatre, and I became a fan of his scratchy art and portrayals of women who looked more like real women than what I found in most comics.
I recently came across Honour Among Punks, the ibooks collection of the original series, and knew it was time to read it.
Baker Street is a series about punks, mysteries, and relationships. Davis and his co-writer Gary Reed transposed Arthur Conan Doyle's Sherlock Holmes into the punk underground of an alternate history Britain. Our point of view character is Susan, an American studying medicine in London. She answers an ad for a cleaning woman that included room and board, and meets Sharon Ford, a former police detective who now lives the punk life, and her close friend Sam, who is a ball of punk rage.
As the series progresses, the women get involved in two separate cases that test their friendships and sense of self. Davis puts together a complicated world of rival gangs, jewel thieves, transvestites, and a serial killer targeting men in the area around the Baskervilles, a rundown theatre that is the heart of the community.
Much of the storytelling here is rough, but Davis's art shows serious growth from the more cartoonish first pages to the scratchy glory of the last storyline.
Sharon is a truly memorable character; devoted to her notions of deduction, invested in protecting her community, but completely unaware of the needs of the people around her. This is a book worth reading, because of her.
Art by Guy Davis
Between 1989 and 1991, Caliber Press published Guy Davis's series Baker Street. At that time, I was just beginning to experiment with independent comics, and remember reading an article about this book in Comic Scene (please don't ask), but never picked up an issue or gave it a try. Later, Davis began working on Sandman Mystery Theatre, and I became a fan of his scratchy art and portrayals of women who looked more like real women than what I found in most comics.
I recently came across Honour Among Punks, the ibooks collection of the original series, and knew it was time to read it.
Baker Street is a series about punks, mysteries, and relationships. Davis and his co-writer Gary Reed transposed Arthur Conan Doyle's Sherlock Holmes into the punk underground of an alternate history Britain. Our point of view character is Susan, an American studying medicine in London. She answers an ad for a cleaning woman that included room and board, and meets Sharon Ford, a former police detective who now lives the punk life, and her close friend Sam, who is a ball of punk rage.
As the series progresses, the women get involved in two separate cases that test their friendships and sense of self. Davis puts together a complicated world of rival gangs, jewel thieves, transvestites, and a serial killer targeting men in the area around the Baskervilles, a rundown theatre that is the heart of the community.
Much of the storytelling here is rough, but Davis's art shows serious growth from the more cartoonish first pages to the scratchy glory of the last storyline.
Sharon is a truly memorable character; devoted to her notions of deduction, invested in protecting her community, but completely unaware of the needs of the people around her. This is a book worth reading, because of her.
Subscribe to:
Posts (Atom)